![]() This new perspective on Saw is certainly growing. This weaves in with the B-Plot as we deal with corruption from inside the department, and the history that detectives have with the victims and suspects. Plot C is a lot of things, it's the flashbacks, the twisted story of John Kramer, how he came to be what he is by the first movie, the backstories of the apostles of Kramer, how the victims came to end up in chains, and how every character in the story retroactively connects. Plot B is a procedural police thriller, as we follow a series of detectives who put their lives on the line to catch the Jigsaw Killer or killers. However, as these traps became more elaborate, so did the twisting and turning plot lines.Įach Saw movie can be split in two or three ways: Plot A is the victims suddenly waking up in some kind of dingy cell as they struggle their way through a challenge full of pain and suffering. What many hone in on when thinking about these films are the games of life and death, which is fair enough From the reverse bear trap to the shotgun carousel, as the franchise progressed, the methods of mutilation became more and more elaborate. The Saw franchise is one full of splatter films, but it is not torture porn. However, as much as the later sequels stumble, it is unfair to judge a franchise by its least-loved movies, so let's look at the franchise as a whole. There are films that have absolutely earned this title: The Human Centipede has very little to it aside from the grotesque, Cannibal Holocaust is completely overshadowed by real animal cruelty, and even, yes, Saw 3D stays consistent in the blood and guts but falls flat on the writing. When used in a condescending or insulting way, which it usually is, it's safe to assume torture porn comes down to the quality of the writing. ![]() It's important for cinema, with its massive scope, to cover all emotional bases, even the darkest ones. Horror that is meant to shock, disgust, and confront, like horror that's meant to entertain, or confuse, absolutely has its place. It might be budget, as many films considered to be torture porn are made without a lot of money to go around, however, the same can be said for French Extremity films. So, that begs the question, "splatter films," "torture porn," what's really the difference between them? The films of the former camp are lauded and celebrated, while the former is considered shallow exploitation.
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